In this Winter of 2011, a few months after I’d started
training in Yoshukai, I took a course at AKF Athens called CIT, Certified
Instructor Training. At 8th
kyu yellow belt, it felt a little early to be taking a course in martial arts
instruction, but I’ve enjoyed teaching ever since finishing undergrad, and I
was curious by the process. To make a
long-ish story very short, I learned as much about the process of learning
martial arts as I did teaching, and from there, my martial arts training really
started to take off.
An easy thing to forget at higher kyu-grade ranks is, at one
point or another, we were all pretty raw when it came to martial arts. Although I had some previous experience, I
was really about as green as one could be, which is why it’s so important to remember
that feeling when teaching. It is a
terrible mistake to assume that some aspect of technique or the martial arts
way of life “goes without saying.” When
I started teaching voice, a mentor of mine encouraged me to always remember how
I felt about five minutes before some concept was obvious. In other words, mastery is often born out of
a breakthrough from abject frustration.
So, back to CIT. At
that point, there was a fairly well-attended evening Yoshukai class at
AKF. It was extremely convenient to the
ending time of most opera rehearsals, so I hit that one fairly often. The Yoshukai class was at 6, and the CIT
course was at 8. In between, there was a
7pm Kyuki-do class, which I watched a couple times before being invited to the
floor to try it out. It was familiar to
my Yoshukai training, but there were enough differences to make things very
interesting.
After attending 3 or 4 of these Kyuki-do classes, I decided
to start cross-training. It was a
defining decision in my martial arts career.
It opened my mind to new possibilities with my personal training, and it
gave me a wider appreciation for the martial arts as a whole. You see, I knew a good bit about different
martial arts, and I’d known practitioners of various arts and seen their skill
sets at work. What I didn’t appreciate
was this: single-art training, which can
be very rewarding for some, only tells part of the story.
Almost three years later, I’m now preparing myself for my
first-degree blackbelt test in Kyuki-do.
My Shodan test conditioning continues its long-range benefits, and now,
I’m planning on adding specific focus points relating to speed and agility,
which have major applications in Kyuki-do.
In upcoming months, I’ll be keeping all of you up to date on my progress
through the last 2 keup grades in Kyuki-do, as well as continuing blogging
about the Yoshukai training process.
I’ll leave you with this:
I know that cross-training is not for everyone, but I would not be
anywhere near operating at the level I am right now without the influence of
both of these arts, along with my more tertiary study of hapkido. From Yoshukai, I learned to generate power
from the ground up, relying on a linear mode of attack which manifests itself
in the grounded stancework and strikes of a true hard style. Kyuki-do, on the other hand, has taught me a
great deal about situational and mental flexibility. Obviously, both arts have contributed to
strength and physical flexibility, but each art is approached differently with
regards to a broader curriculum.
Yoshukai’s curriculum, on the face of it, builds up in a very focused
and deliberate way, which radiates throughout the entire process of kyu-grade
training. Kyuki-do’s core curriculum
works in a very similar way, but along with that core are elements of judo,
hapkido, jujutsu, kali/escrima, and many other styles which allow for broad
growth in the martial arts. I honestly
do not feel as confortable with my throws as I do with kicks and punches, but I
don’t think I really should at this point, given the amount of time spent on
all of these techniques. But, you know,
that’s alright. 3 solid years back in
the martial arts has definitely taught me that I have the time to learn the
things I want to know.
More about Kyuki-do coming up soon!